Artists Crystal,
Lucinda and Brandon are excited about the opening of their renovated artists' studio in an
old church. But their enthusiasm is short-lived when they experience a terrifying
phenomenon in the new space. Posing as the artists' nude model, Brandon feels faint and
dizzy, while the others are overcome by negative emotion and a frenzy of energy that
compels them to draw in sync. In the end, their drawings bear no resemblance to Brandon
but, rather, are depictions of a human form in agony.
The OSIR is called to investigate the phenomenon which is first thought to be a form of
shared telepathy - possibly some sort of communication transmitted by Brandon. Mia Stone
suggests an experiment. Brandon will focus on a specific image, which he will try to
transmit to the others. Donner will take part in the drawing class to try and assess the
phenomenon first hand. The class begins, Brandon disrobes, and again the artists are
overcome with strong negative feelings. While their drawings initially take the shape of
the transmitted image, they begin to transform into depictions of a gruesome alien
creature. The room becomes cold and the organ lets out a loud wail. Back at the lab, the
EMF monitors pick up high-energy signals which, Axon points out, are capable of traveling
from as far as deep space.
At Lucinda's urging, Brandon tells them about an incident that took place two years ago,
at nearby Gorman's Point. He had seen lights in the sky hovering above the trees, then he
blacked out. Fearing that he may have been abducted that night, Brandon and Lucinda wonder
if this experience may be somehow related to the incidents in the studio.
Haunted by the horrible images, Brandon goes to the church to see Lucinda who tries to
comfort him. When they begin to make love, the haunting begins again - the lights go out,
the music blares, and the temperature drops. Overcome with terror, Lucinda hears a
menacing voice conbyning her to "Burn in hell, heathen." Back at the lab, the
monitors blast on - frying the equipment.
Donner rushes to check on Lucinda and Brandon, while Axon checks out the premises. He
flicks the lights and heat back on - but the organ pipes are plugged - unable to emit any
sound.
Donner and Crystal later meet in the studio to discuss Lucinda and Brandon's experience.
Their conversation turns to the horrific drawings. Noting that each image portrays
gradations of light and dark, Crystal cites "Chiaroscuro" - an Italian word
meaning "light/dark." "As artists, and as people, our purpose is to enter
the shadow and let the light emerge," she says. The two women begin to draw, but this
time it's a peaceful experience. The organ music now sounds like a well played hymn and,
although they have both drawn the same thing this time, the beautiful sketches depict
voluminous dark clouds with shafts of light streaming through.
Axon continues to ponder the connection between the sighting at Gorman Point and the
events in the church. At the Point, he discovers the foundation of an old house which had
been inhabited in the 1800s by Mary Nelson, the spinster organist at Gorman Methodist
Church - the church that now houses the art studio. He looks up to see the lights. They
hover overhead then travel towards the church.
At the same time, Brandon and Crystal decide to take matters into their own hands - by
consulting a spirit board. Crystal wants to make peace with whatever is sharing their
space, but Lucinda is fearful of the dangers of tampering in the spirit world. In spite of
her resistance, they proceed. Lucinda soon hears a voice uttering, "The work of
Satan. Burn in hell," and Crystal's body is taken over by the angry soul of Mary
Nelson.
It is said that spirits haunt the places where they were happiest - but why is Mary Nelson
torturing the young artists? The OSIR must find a way to transport Mary from the shadow
into the light before the three friends are conbyned to a life of eternal damnation.